Fragment (Arr. Fitzsimons)

by Salina Fisher | Violin and Vibraphone

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano

Music by Douglas Lilburn | Piano The Douglas Lilburn Complete Piano Edition was established to accompany Trust Records’ award-winning recorded collection of the same name. The final volume in a series of eight, it comprises Andante Sostenuto (1964), ‘Piece in E major’ (c. 1942), Prelude (1950), ‘A Christmas Offering’ (1944), and Sonatina No.2 (1962).

by Douglas Lilburn | Piano

by Douglas Lilburn | Piano

by Douglas Lilburn | Piano

by Douglas Lilburn | Piano

by Christos Hatzis | Flute, Vibraphone with Digital Audio

by Christos Hatzis | Marimba and Digital Audio

by Christos Hatzis | Percussion and Digital Audio

by Christos Hatzis | Percussion Quartet

by Christos Hatzis | For Marimba and Digital Audio

by Christos Hatzis | String Quartet and Digital Audio

by Christos Hatzis | Orchestra

by Vincent Ho | Drum Kit and Piano Trio

by Vincent Ho | Drum Kit and Piano

by John Psathas | Percussion Quartet

by John Psathas | for String Quartet

by John Psathas | String Orchestra

by John Psathas | for Piano Trio

by John Psathas | Timpani and Digital Audio. The variety of playing techniques in Buyan demonstrate the subtleties offered—yet often overlooked—by the timpani. The player must navigate syncopated grooves in compound time, simmering roll and glissandi techniques, and playing with fingers. Most challenging of all, though, is the extensive pedalling required to articulate Buyan’s melodic material.

by John Psathas | for Drum Kit and Piano

by John Psathas | Vibraphone and Piano

by John Psathas | Vibraphone and Marimba

by John Psathas | Marimba, Vibraphone and Piano

by John Psathas | Two Vibraphones and Two Marimbas

by John Psathas | Percussion Quinetet

by John Psathas | for Percussion and Piano

By John Psathas | Arranged for Solo Percussion and Mallet Quartet (Arr. Omar Camenates)

by John Psathas | Vibraphone and Marimba

by John Psathas | Marimba, Junk Percussion and Digital Audio

by John Psathas | for Timpani and Digital Audio

by John Psathas | for Marimba, Vibraphone and Piano

by John Psathas | for Vibraphone, Marimba and Digital Audio

Music by John Psathas | Double Concerto for Percussion, Piano and Orchestra

by John Psathas | Double Concerto for Percussion, Piano and Orchestra Commissioned by percussionist Dame Evelyn Glennie, View From Olympus (2001) is one of Psathas’s landmark works. This award-winning double concerto takes listeners on a journey through the world of Greek percussion styles and playing techniques. Its three movements feature an adapted transcription of improvised Greek violin music, a tender tribute to the composer’s children, and a depiction of the legendary Mænads celebrating their god Dionysos with song, music and dance.

by Anthony Ritchie | Orchestra

by Anthony Ritchie | Orchestra

by Ralph Vaughan Williams | Solo Alto, Chorus (SSA) and Orchestra

by Ralph Vaughan Williams | Orchestra and chourus

by Ralph Vaughan Williams | Orchestra and chorus